XXX: morning
 me: morning
 XXX: (um, right?)
 me: yup
  how's XXX?
 XXX: yea
  XXX is pretty good
  felt much better today
 me: I'm glad
 XXX: and there were no surprise visits from my somewhat bosses
me: phew
  that's always a plus
 XXX: also the magical flying pirate ship i'm working on in the modeling tutorial
 me: !!!
 XXX: is starting to look more like a pirate ship
  and less like a bad modern art sculpture
 me: hahaha
  oh, dude
  mad modern art is the best
  was it all post-cubist?
 XXX: heh
  oh very
me: awesome
 XXX: all kinds of geometric shapes popping out where they aren't wanted
 me: hehe
  if you were having an especially picasso evening there'd be the odd stray horse-head
 XXX: mm
  yes
 me: which would be wholly undesirable
 XXX: rather
  though this program does have an amusing feature
whereby, if i wished, i could have random teapots
  all over the ship
  perhaps the ship is crewed by teapots
  and sails on their steam
  ha ha ha
 me: (I just got an email that begins:
Those gloaming hours again in which I wonder what, given its virulence and ubiquity,the plague was doing around 1400 when it could have been cutting shorter John Lydgate's infinite flow.)
  Wow -- is there a teapot button?
 XXX: hah wow
 me: that's amazing!
 XXX: yes
  quite literally
  a teapot button
 me: I
  Love
  Whimsy
 XXX: or even a teapot paint brush, actually
and also that is a fantastic start to an email
  wow
  hah
 me: haha - he is reading lydgate
  and not liking him much
  as you can probably guess
 XXX: i imagined not
  heh
me: How come your status is breaking?
 XXX: oh
  on break
  break-ing
  sorry
better?
  heh
 me: got you
  sorry I just got paid
 XXX: or wait did they do those commercials in the 
 me: and was taking a moment to be happy
  yup
 XXX: ooooooh
  YEA for getting paid!!
me: man I love it
  money is great
  oh! have you read quicksilver?
 XXX: nope
  that's neal stephenson, right?
 me: yeah
 XXX: i've just started the, um, cryptonomicron
  it's my first of his stuff
 me: or did I already tell you about it?
  ah
 XXX: nope
  go right ahead!
 me: cryptonomicon is amazing
XXX: greatly enjoying it so far
  though i wish i had bought an edition with bigger pages and font
 me: quicksilver is the prequel to Cypto. It take place between 1660 and 1715
 XXX: but that is neither here nor there
  ooh hmm
 me: or rather the trilogy of books does
 XXX: (nods)
24 me: um... it's a cast, operatic, brainy, sexy, swashbuckling, incredibly researched monster ofa piece of work
  *vast
 XXX: wow
  that sounds, um, incredibly cool
me: It includes lots of liebniz and newton
  and pirates
 XXX: !
  so cool!!
 me: and about 5 seperate heists
  and Louis XIV
 XXX: ...hah though i admit i had some unkind thoughts about mr. isaac newton when i started calculus
  similar to your friend's in that email
  whoa
  ....i must read this book
 me: monarchs coercively having sex with other monarchs' subjects
XXX: !
  as proxy or by design?
  or wait
  don't want to know
 me: haha, calculus, oh my
  No, it's not graphically unplesant
 XXX: oh oh not that
 me: also... pepys, and the foundation of the royal society, and of MIT
 XXX: was just interested in motivation
  oh!
  wait
  mit?1
  geeesh
this guy is rapidly becoming my idol
  and i haven't even finished one of his books
 me: haha
  I will put quicksilver in the package.
 XXX: yea!!!!! (does little happy dance)
me: woop woop
  I will try to include short stories and maybe poetry too if there's room in the box
 XXX: hah no poetry ;-) :-p
me: do you not like poetry?
 XXX: though i, um, appreciate the thought
  mm
 me: you lose, dude
 XXX: (bows deeply)
  mah
  other than (weirdly) a few authors/poems who stick with me
  i am not a fan of poems
 me: wow - that's a sentence I could never type
XXX: hah i know
 me: mind you, that's cause poems are my thing
 XXX: you like the dunciad :-p
  heh yes
 me: and how!
 XXX: i have great respect for poems and people who like them
  just not my thing
 me: :-)
 XXX: that's actually how i encountered claude rawson
 me: fair enough
XXX: trying to dodge my poetry requirement
me: oh?
ha
XXX: i had to take something with poetry more modern than 
 me: oh noes!
XXX: and ended up winning an arguement to the effect that his seminar on satire counted
  as it included pope and etc.
 me: that seems reasonable
XXX: it was
  ...i'm glad they didn't check what i wrote my papers on ;-)
 me: but .... but, what about all the great 20thC american poets?
 XXX: .... (sigh)
 me: 
 XXX: i like some frost
  out of that list
 me: (author's note: I am smiling)
 XXX: i also like some atwood
  hah hah i thought that might be the case
also i like eliott
  for whatever sadistic reason
  but i think this is because he writes long poems
 me: yeah, whoops that was a fairly substantial oversight on my part
 XXX: i need my narrative
  (laughs)
and ironically enough
  my first real literary paper (pre-college, but it was the first one i everwent to crit for) was on zukofsky
 me: I know zukovsky not
 XXX: mmm
  likely better off
  very modernist
 me: ha
XXX: very "ooooh eliot makes cool allusions that are impossible to understand I must do this to but make it EVEN HARDER"
  but i seized on the bits that i liked
  like the idea of having an image that is tied to an idea
  but is not a metaphor for the idea
  my poem was about a grasshopper
me: Ok, this is interesting
 XXX: zukovsky?
  he is interesting
 me: mhm
  what you are saying is interesting
 XXX: oh
  hah
 me: bozo, what else am I going to be talking about?
XXX: (laughs)
 me: (except myself, of course to which I don't usually refer as 'this')
 XXX: hah ha ha ha
  well you could have gotten a bonus or something...
  kidding
 me: It's my first month on my new pay
  for that is nice
 XXX: yea!
but yeah
  i've tried to explain my feelings about poems to people before
  i can read them
  but they don't really mean much to me
 me: it ok if you need narrative
 XXX: the way that stories do
 me: it happens
  it's sad
 XXX: hah
 me: but for some people
you know... that's all they have
 XXX: (is laughing)
 me: in seriousness, I get it
  because I struggle with narratives
  I'm like, you want to me to do what? Analyse it? What?
 XXX: yes!
exactly!
 me: but how!
  it's so wishy-washy!
 XXX: ha ha ha
  you read it and are like "okay, that was nice. ....what? I have to write a whole paper on this?!"
  i love how we are having the same conversation
me: see for me poetry is just the crunchiest, most economical, most beautiful words with none o the extraneous crap about people and stuff happening to other stuff and yadda yadda
 XXX: or the same feelings at least
  about the opposite things
 me: yes!
XXX: mm and for me narratives allow you to meet real characters, people you can learn from and encounter like actual people, and provide a looking glass and a suggested pattern for what to do with your life
...i don't have the gift of being able to describe this well
  you can carry ideas to their conclusions
  without unneccessarily veiling them in allusions and cryptic language
  gah
  (gives up)
me: no, I think I see what you mean
  I just think that there's more to life than narrative would have you believe
 XXX: heh
 me: take closure, for example
 XXX: mm
 me: and I'm sorry that I haven't finished your paper yet
  the weekend got in the way
 XXX: ha ha aww
  's okay
i hear your thesis is quite brilliant
  you have to send it to me sometime :-)
 me: but what happens in closure is intensely interesting and reveals the fundementally problematic nature of narrative, which is that we actually have no idea how one thing causes another, only that one thing follows another
  follows, even
I think poetry is interested in those gaps
 XXX: oh ho ho.... that's not a problem of narrative
  that's the point!
 me: where the narrative isn't
 XXX: to figure out how these things happen!
 me: not where the narrative isn't interested - i was unclear - I mean, where it is absent
  ok, that's a fair point
XXX: exactly! that's where we come in! that's where the engagement happens!
  and not just in comics
  more generally
 me: and whoever has been talking to you about my thesis is telling porkies!
 XXX: hah
  now now i thought XXX was a nice person
 me: she's lovely
 XXX: who certainly knows what she's talking about
 me: and ((((hugs)))) on your letter
 XXX: thanks (sigh)
i kinda knew it was coming
  and it spurred me into action in a sense
  i actually emailed u 
 me: I still kinda hoped it wasn't
  oh, good on you
 XXX: to be like "yo. what's going on?"
  (um, in that, "thank you so much for taking the time to read my email during this busy season" kind of way)
 me: yeah, of course
XXX: yeah
  i dunno
  i'm almost relieved in a sense
  because it would have torn me to shreds to be accepted without funding
  and have to deal with that
 me: yes
XXX: i also agree with what many people are saying about how funding difference poisons the atmosphere of a program
  because i saw that happen when i was interning
  about a quarter of us were paid
  the rest of us were not
me: mmmm that's interesting, but not at all the atmosphere in 
 XXX: and it created a lot of bad feelings and divisions
  hmm
  that's good!
  wow
 me: XXX is sufficiently sensitive to have picked up on that, as an unfunded person
 XXX: ...maybe everyone there is supernaturally nice
  (nods)
  oh i certainly imagine so
 me: actually, because she's unfunded she gets TAships and RAships
 XXX: ooooh
 me: and the funded people are anxious
  !
 XXX: i thought that the funding, um, was entailed upon taships
 me: (anxious that they're not good enough)
XXX: and that if you weren't funded then you had no shot at such things
  interesting
 me: some people (eg XXX) get fellowships
 XXX: (nods)
 me: that is what being funded is
  everyone has recourse to some funding
  just unfunded folks have to work for it and don't get much
 XXX: ahh
  huh
  interesting
 me: ... and have to pay tuition in the first year
 XXX: ....don't really want to think about it at the moment
  ah
  yes
 me: no no I know
  sorry
 XXX: there is always that
 me: sorry
 XXX: 's okay (sigh)
  my friend lectured me today
  about how i appear to be "grasping for a scattershot of programs"
 me: what about?
  ouch
 XXX: (sigh) that is not true
  this all makes sense in my head
 me: ouch
 XXX: i am still angry
  as you can tell
me: of course it does!
  well, yeah
 XXX: partly because i think he's just bitter as he did an english masters
  and hated it
  and is still not done with said thesis
 me: they clearly have no idea of you, your interests, or your applications
 XXX: (firm nod)
 me: ((((hugs))))
 XXX: (hugs) thanks :-(
  i have to remind myself
 me: people are occasionally rubbisyh; there appears not to be any way around this
 XXX: that things other people say are not always true
  just because other people are saying them
they are
 me: no! absolutely not
  of course not
  brb
 XXX: ok
me: I have fucked up at work
  will be back
  sorry
 XXX: oh no!
  you go!
  good luck!!!
  (hugs)
4.3.08
conversation #4
Labels:
berkeley,
bishop,
conversation,
crane,
graduate school,
literary criticism,
localism,
moore,
narrative,
newton,
picasso,
pirates,
poetry,
pope,
stephenson,
the baroque cycle,
the new science
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